Lining / oldstyle figures LNUM transforms numbers and monetary symbols in Uppercase ONUM do the opposite (default figures are ONUM). Implemented both as Stylistic Set n¡5 (ss05) and Stylistic Alternate (salt) to maximize compatibility between applications. Implemented both as Stylistic Set n¡4 (ss04) and Stylistic Alternate (salt) to maximize compatibility between applications.Īlternate Y letter shape. Implemented both as Stylistic Set n¡3 (ss03) and Stylistic Alternate (salt) to maximize compatibility between applications.Īlternate J letter shape. Implemented both as Stylistic Set n¡2 (ss02) and Stylistic Alternate (salt) to maximize compatibility between applications.Īlternate I letter shape. Implemented both as Stylistic Set n¡1 (ss01) and Stylistic Alternate (salt) to maximize compatibility between applications.Īlternate N letter shape. Just select your text language to activate the localized accents)ĭetects German § in an uppercase string and substitute it with its uppercase version/Īlternate Q letter shape for ultra narrow line heights. Romanian, Moldavian and Polish advanced diacritics support automatic Catalan punt volant Dutch localization for accented ij localization for Turkish i (works also for Kazakh, Tatar, Crimean Tatar, Azeri. Transforms 0 to 9 figures into superiors. Transforms 0 to 9 figures into numerators (aligned to cap height) and denominators (aligned to baseline). Sets All-Caps to activate case sensitive forms: transform lowercase letters, figures and some extra signs to Uppercase vertically aligns math symbols and punctuation. This font is available for licensing in opentype and webfont format, as well as for mobile apps, ebooks and for software embedding.Īccesses All Alternate glyphs from the Glyphs panels in Adobe Illustrator or Indesign.
Novecento family was spaced and kerned with love and patience each font has between 7 kerning pairs. Novecento sans is very versatile: lighter faces provide a more contemporary and design look&feel, while the bolder ones definitely look retro. This font face is designed to be used mostly for headlines, visual identities or short sentences, both in big and small sizes. However, it is optically corrected and balanced.
This is the 3rd release of Novecento sans, a Caps + small-caps font family inspired on european typographic tendencies between the second half of 19th century and first half of the 20th.
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